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This is the first topic of our summer serie: Summer school, heritage & Savoir Faire.
Watch out: here comes a spoiler! The following text reveals most of the content that will be seen at the exhibition Automatons & Marvels; so if you plan to attend, (as you should, since it has become so easy to travel), don't read any further. Add this page to your favorites, so you can compare it to your impressions later.
“L’écrivain:”
Are you comfortably seated in front of your PC? This morning or this evening, were you almost as comfortably seated in your car? With the AC, the cup holder, the sound system or for the purists, the hydro pneumatic suspensions.
You sail toward work or home, undisturbed, on a sea as flat as a mirror, since the roads are so well paved. When it is time to go on vacation, if one shatters the speed limits from time to time, it takes half a day; in the morning one is in a megalopolis and in the afternoon one walks in the water or in the snow. If the trip is too long, one takes a plane, and 24 hours later one is on another continent.
Travelling has become so easy that it is almost commonplace. But at the end of the 18th century, it was a different ball of wax. The finest roads where barely cobbled; most of the time, they were made out of dirt or gravel; on which the lathering highwaymen served as traffic lights and radar detectors. Whether riding or sitting in a carriage pulled by horses, one could travel a few dozen kilometers per day at best, and then have to hastily find an inn, or end up devoured by wolves.
However, despite the jolts, the dangers and the bad weather, all the greats from the European courts visited Pierre Jaquet-Droz, in his residence located deep in the mountains, at the Chaux-de-Fond.
Nowadays, such an enthusiasm might look excessive, but the work of JAQUET DROZ must be placed in its historical context.
The androids, the central pieces of JAQUET DROZ's automatons collection, are a quantum leap in the history of computers.
If the Antikythera mechanism is the best example of an antique computer (it allowed for complex calculations related to calendars, astronomy, etc.), it was neither programmable nor self-powered...
The greatest of the recent inventions (the 1955 Citroen DS, the Concorde, the Macintosh, the http protocol) were not new technologies, but rather the convergence of several ground-breaking technologies, which increased the individual qualities of each of these innovations exponentially. The realism of Jaquet-Droz's androids is such that during one of the many exhibitions held at royal courts, their creator almost ended up on the stake like a sorcerer!
Indeed, in 1758 YouTube was yet to be invented; one had to be physically present to present one's work. At the beginning of April 1758, Pierre Jaquet-Droz was already 37, and his exceptional work on large clocks was common knowledge in the whole canton. Lord Georges Keith, the governor of the Neuchâtel province and well acquainted with the European courts, helped to introduce PIERRE JAQUET DROZ to the court of the King of Spain, through Don Jacynto Jovert acting as intermediary.
Mrs Hayek:
PIERRE JAQUET DROZ and his craftsman, Jacques Gevril (whose name is utilized by a cheap Spanish watch brand), as well as his father-in-law, Abraham-Louis Sandoz-Gendre(whose diary recounts this trip in detail) will embark on a 1500km trip in a cart customized to carry six clocks. This 49-day journey (at a fantastic average speed of 30km per day, slower than by foot), ends up as a disappointment. The king of Spain is detained by the illness of his wife, Marie-Thérèse of Portugal; and only the heaven-sent hospitality of Don Jacyntho Jovert, prevents Pierre Jaquet Droz, his craftsman and Jacques Gevril from returning prematurely, which would have left them very distressed. Following the advice of Georges "Lord Marischal" Keith, their benefactor welcomes Jaquet-Droz and his companions with a lavishness that one usually reserves for close family members. Our grateful friends will use the three-month wait, to repair all the clocks and watches of the Spanish Lord's house. To this day, the generosity of Don Jovert is still remembered, as his name has been immortalized through the rebirth of the Jaquet-Droz house by the Swatch Group.
After the death of the Queen, Ferdinand VI is back in business in September 1758. One should know that the Sovereign was more of an artist than a warrior, and that during his 13-year reign he systematically favored the arts and culture, notably by sponsoring the famous castrato Farinelli. The Jaquet-Droz team is eventually welcomed to the royal palace and the demonstration of the clocks is a triumph.
The assortment of six clocks brought by Jaquet-Droz and his companions consisted of the following pieces:
-One long-case clock
-One chiming clock, with flutes and serinette (from the French "serin", canary)
-A clock called "Le Nègre ", which answered diverse questions by hitting a chime, for example "what time is it?" (To this day, the way this clock worked is still nebulous).
-A clock called "The stork and the Fox". It featured a decoration themed after de La Fontaine's fable.
-A "perpetual motion" clock: its automatic winding system used the dilatation of different metals (an ancestor of the Atmos).
-The "Shepherd's clock", which featured a dog guarding a basket of apples: if one took the apple, it would start to bark. It seems that the barking was so natural that it triggered the response of King Ferdinand VI's hound, and that a few frightened courtiers left the room. (The King's dog looked more courageous than the courtiers...)This super-complex clock included a series of articulated figurines, amongst which a shepherd, in a country-style scenery; every character producing its own specific sound.
Three of these pieces were sold to the court for 2000 pistols and one was offered as a gift to Don Jovert; the "Stork and the Fox" as well as the "Shepherd" and his dog, were offered as a gift to King Ferdinand VI. It was probably one of the last moments of joy in Ferdinand VI's life: he died the following year at 45, grief-stricken from having lost of his wife...
This brilliant demonstration of Pierre Jaquet-Droz's genius spread like wild fire throughout Europe. His success opened the door to several European courts. Therefore, he was not only a precursor in horology, information technology and robotics, but also a precursor in the watchmaking business (he especially sold lots of pieces in China, through his London subsidiary).
10 years after his success in Madrid, Pierre Jaquet-Droz had to reinvent himself. Assisted by his son Henri-Louis, and his adopted son and apprentice Jean-Frédéric Leschot, he took five years to create four automatons, of which three have been preserved until today. The fourth of these automatons, "The cave", was a giant diorama picturing a palace carved in the rock and its French garden, punctuated with a series of animated figurines. Its large size (it covered a surface area of several square meters) was its undoing. During the tumultuous adventures of Napoleon, the three androids often changed hands, as circumstances dictated. But the diorama "The cave" was not safely movable; in all likelihood, this led to its destruction.
The three remaining automatons represent the heights of creativity and good workmanship.
Ladies first, the watch museum of La Chaux-de-Fonds holds «La Musicienne». This piece was mainly built by Henri-Louis, who had almost finished his musical studies.
Musical automatons, like singing birds, usually simulate the melodies with silent mechanisms, synchronized through an internal sound system.
«La Musicienne» pushes the envelope to its maximum. First of all, the maiden is reproduced at the 1/1 scale, and as was explained earlier, it is an android: the body houses the mechanism that moves the automaton's hands and fingers (independently). Therefore, it can play any instrument adapted to its morphology: in reality it plays the mini-organ featured in the set, the sound is very convincing...
But in the end, one is so mesmerized by the fluidity and the gracefulness of its movements, that one does not really notice the music. The sight is truly awesome and if mechanically this piece is perhaps the simplest of the three works, it is also the most moving.
Watch out: here comes a spoiler! The following text reveals most of the content that will be seen at the exhibition Automatons & Marvels; so if you plan to attend, (as you should, since it has become so easy to travel), don't read any further. Add this page to your favorites, so you can compare it to your impressions later.
“L’écrivain:”
Are you comfortably seated in front of your PC? This morning or this evening, were you almost as comfortably seated in your car? With the AC, the cup holder, the sound system or for the purists, the hydro pneumatic suspensions.
You sail toward work or home, undisturbed, on a sea as flat as a mirror, since the roads are so well paved. When it is time to go on vacation, if one shatters the speed limits from time to time, it takes half a day; in the morning one is in a megalopolis and in the afternoon one walks in the water or in the snow. If the trip is too long, one takes a plane, and 24 hours later one is on another continent.
Travelling has become so easy that it is almost commonplace. But at the end of the 18th century, it was a different ball of wax. The finest roads where barely cobbled; most of the time, they were made out of dirt or gravel; on which the lathering highwaymen served as traffic lights and radar detectors. Whether riding or sitting in a carriage pulled by horses, one could travel a few dozen kilometers per day at best, and then have to hastily find an inn, or end up devoured by wolves.
However, despite the jolts, the dangers and the bad weather, all the greats from the European courts visited Pierre Jaquet-Droz, in his residence located deep in the mountains, at the Chaux-de-Fond.
Nowadays, such an enthusiasm might look excessive, but the work of JAQUET DROZ must be placed in its historical context.
The androids, the central pieces of JAQUET DROZ's automatons collection, are a quantum leap in the history of computers.
If the Antikythera mechanism is the best example of an antique computer (it allowed for complex calculations related to calendars, astronomy, etc.), it was neither programmable nor self-powered...
The greatest of the recent inventions (the 1955 Citroen DS, the Concorde, the Macintosh, the http protocol) were not new technologies, but rather the convergence of several ground-breaking technologies, which increased the individual qualities of each of these innovations exponentially. The realism of Jaquet-Droz's androids is such that during one of the many exhibitions held at royal courts, their creator almost ended up on the stake like a sorcerer!
Indeed, in 1758 YouTube was yet to be invented; one had to be physically present to present one's work. At the beginning of April 1758, Pierre Jaquet-Droz was already 37, and his exceptional work on large clocks was common knowledge in the whole canton. Lord Georges Keith, the governor of the Neuchâtel province and well acquainted with the European courts, helped to introduce PIERRE JAQUET DROZ to the court of the King of Spain, through Don Jacynto Jovert acting as intermediary.
Mrs Hayek:
PIERRE JAQUET DROZ and his craftsman, Jacques Gevril (whose name is utilized by a cheap Spanish watch brand), as well as his father-in-law, Abraham-Louis Sandoz-Gendre(whose diary recounts this trip in detail) will embark on a 1500km trip in a cart customized to carry six clocks. This 49-day journey (at a fantastic average speed of 30km per day, slower than by foot), ends up as a disappointment. The king of Spain is detained by the illness of his wife, Marie-Thérèse of Portugal; and only the heaven-sent hospitality of Don Jacyntho Jovert, prevents Pierre Jaquet Droz, his craftsman and Jacques Gevril from returning prematurely, which would have left them very distressed. Following the advice of Georges "Lord Marischal" Keith, their benefactor welcomes Jaquet-Droz and his companions with a lavishness that one usually reserves for close family members. Our grateful friends will use the three-month wait, to repair all the clocks and watches of the Spanish Lord's house. To this day, the generosity of Don Jovert is still remembered, as his name has been immortalized through the rebirth of the Jaquet-Droz house by the Swatch Group.
After the death of the Queen, Ferdinand VI is back in business in September 1758. One should know that the Sovereign was more of an artist than a warrior, and that during his 13-year reign he systematically favored the arts and culture, notably by sponsoring the famous castrato Farinelli. The Jaquet-Droz team is eventually welcomed to the royal palace and the demonstration of the clocks is a triumph.
The assortment of six clocks brought by Jaquet-Droz and his companions consisted of the following pieces:
-One long-case clock
-One chiming clock, with flutes and serinette (from the French "serin", canary)
-A clock called "Le Nègre ", which answered diverse questions by hitting a chime, for example "what time is it?" (To this day, the way this clock worked is still nebulous).
-A clock called "The stork and the Fox". It featured a decoration themed after de La Fontaine's fable.
-A "perpetual motion" clock: its automatic winding system used the dilatation of different metals (an ancestor of the Atmos).
-The "Shepherd's clock", which featured a dog guarding a basket of apples: if one took the apple, it would start to bark. It seems that the barking was so natural that it triggered the response of King Ferdinand VI's hound, and that a few frightened courtiers left the room. (The King's dog looked more courageous than the courtiers...)This super-complex clock included a series of articulated figurines, amongst which a shepherd, in a country-style scenery; every character producing its own specific sound.
Three of these pieces were sold to the court for 2000 pistols and one was offered as a gift to Don Jovert; the "Stork and the Fox" as well as the "Shepherd" and his dog, were offered as a gift to King Ferdinand VI. It was probably one of the last moments of joy in Ferdinand VI's life: he died the following year at 45, grief-stricken from having lost of his wife...
This brilliant demonstration of Pierre Jaquet-Droz's genius spread like wild fire throughout Europe. His success opened the door to several European courts. Therefore, he was not only a precursor in horology, information technology and robotics, but also a precursor in the watchmaking business (he especially sold lots of pieces in China, through his London subsidiary).
10 years after his success in Madrid, Pierre Jaquet-Droz had to reinvent himself. Assisted by his son Henri-Louis, and his adopted son and apprentice Jean-Frédéric Leschot, he took five years to create four automatons, of which three have been preserved until today. The fourth of these automatons, "The cave", was a giant diorama picturing a palace carved in the rock and its French garden, punctuated with a series of animated figurines. Its large size (it covered a surface area of several square meters) was its undoing. During the tumultuous adventures of Napoleon, the three androids often changed hands, as circumstances dictated. But the diorama "The cave" was not safely movable; in all likelihood, this led to its destruction.
The three remaining automatons represent the heights of creativity and good workmanship.
Ladies first, the watch museum of La Chaux-de-Fonds holds «La Musicienne». This piece was mainly built by Henri-Louis, who had almost finished his musical studies.
Musical automatons, like singing birds, usually simulate the melodies with silent mechanisms, synchronized through an internal sound system.
«La Musicienne» pushes the envelope to its maximum. First of all, the maiden is reproduced at the 1/1 scale, and as was explained earlier, it is an android: the body houses the mechanism that moves the automaton's hands and fingers (independently). Therefore, it can play any instrument adapted to its morphology: in reality it plays the mini-organ featured in the set, the sound is very convincing...
But in the end, one is so mesmerized by the fluidity and the gracefulness of its movements, that one does not really notice the music. The sight is truly awesome and if mechanically this piece is perhaps the simplest of the three works, it is also the most moving.
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